And with their network collaboration feature everybody in the team can work in the same project at the same time. But when you can bring a studio to embrace Resolve, you soon have your complete workflow inside this software, as it can edit film, color grade, and now also do audio.

One of my highlights: I’m often reading about import, export problems, AAF problems (I recently had my own episode with a transfer from PT12 to Nuendo), and re-conforming here on this forum. I think it’s always interesting to see what’s going on in the audio market, and the features they packed into the DAW component of Resolve is quite astonishing for a first release. How many people are working on Resolve, actually? Must be a ton! Now it’s version 14, and even though Blackmagic acquired Fairlight only about 8 months ago, Resolve 14 contains quite a powerful DAW within their editing/grading solution. Every time there’s a new DaVinci Resolve version from Blackmagic I’m astonished about how many features they’re able to cram into that thing for a new release.

How to use davinci resolve 14